Lea Jazbec’s selected images
Still image from a short video Hands, 2025, camera obscura, reflecting on the painting by German artist Gerhard Richter, project "Reconstruction of The Projected Image" (2018–2025), photo courtesy of the artist
For more visuals, please follow the link: Camera Obscura/2025.
The 2021 photograph of the stone is part of a smaller series within the project "Reconstruction of a Projected Image." In this series, I explore how something heavy and static can be given a sense of movement and speed. In the process, pixels become lines that confer a painterly look to the photographs.
https://leajazbec.wixsite.com/info/objects
Portraits on stone, installation layout, from the exhibition *The Physicality and the Essence of Space" at the Saltworks Museum in Fontanigge, Landscape Park, Sečovlje Salt Pans, Slovenia, 2024, photo courtesy of the artist
https://pomorskimuzej.si/en/exhibitions/hosting/lea-jazbec-physicality-and-the-essence-of-space
https://leajazbec.wixsite.com/info/lea-jazbec-air-program-kubed-23
Iris—Wind Rose, hybrid photography, camera obscura, drawing on projection, 2020, photo courtesy of the artist
https://leajazbec.wixsite.com/info/saltfield2022
https://leajazbec.wixsite.com/info/the-essence-of-the-space
Juglans Regia, still image from double video, 06:18 loop, for “My Father’s Walnut”, video installation 2020
https://leajazbec.wixsite.com/info/lea-jazbec-video-installation
https://vimeo.com/484581667?share=copy&fl=sv&fe=ci
https://leajazbec.wixsite.com/info/drawing
https://leajazbec.wixsite.com/info/leajazbecsoloexhibiton2021
For more information and visuals on work on the mirror, please follow the mirror link.
Digital photography, from working process for Eye on the Moon, experimental video, 4'10'', camera obscura, at Museo dell’Altro e dell’Altrove di Metropoliz, città meticcia (MAAM), during an artist residency with the Adams Centre for Experimental Photography, Rome, 2021, project "Reconstruction of The Projected Image" (2018–2025), photo courtesy of the artist
https://leajazbec.wixsite.com/info/lea-jazbec-csf-adams
Photography of the site, marked damaged area, digital photography, from site-specific project: The Full and The Empty, Salt Pans Secovlje, Slovenia, 2022, photo courtesy of the artist
https://leajazbec.wixsite.com/info/saltfield
Still image from a short video Hands, 2025, camera obscura, reflecting on the painting by German artist Gerhard Richter, project "Reconstruction of The Projected Image" (2018–2025), photo courtesy of the artist
For more information and visuals, please follow the link: Camera Obscura/2025.
Photography from a series of photographs, exploring the landscape through a camera obscura with different apertures, aperture in the shape of the phrase “The whisper of the wide plain”, Secovlje salt pans, Slovenia, 2020, photo courtesy of the artist
By photographing with a word-shaped aperture, I poetically emphasise that words, thoughts, and definitions affect our perception of the visible.
https://leajazbec.wixsite.com/info/wordshaped
Marsh bird, digital photography from kinetic, site-specific installation, camera obscura, transformed aperture, mirror, project "Reconstruction of The Projected Image" (2018–2025), for Livada Recovery Project, Ljubljana, Slovenia, 2019, photo courtesy of the artist
https://leajazbec.wixsite.com/info/livada-lab
Merging, still image from Dream-Cavaliera, video 0:01:00 min loop, audio Igor Mitrov & Lea Jazbec for multimedia installation, 2015, filmed in San José, Cajón del Maipo, Chile-Argentina border, 2013, series Time-Eye (2010-2023)
https://leajazbec.wixsite.com/info/dream-two-cycles-merging-2015
For more information and visuals on the series Time-Eye, please follow the link:
https://leajazbec.wixsite.com/info/serie
No. 1904, Y: 455200, X: 82080, 2020, 2020, digital scan of the original manual print; no. 1904, Y: 455200, X: 82080, size 250x125 cm each), 2019
Follow the manual graphic print link below
