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Salt panner, experimental video—camera obscura (dir. Lea Jazbec), 5'50'', Slovenia, 2022
The experimental video was recorded for the site-specific exhibition project "Salt Field — Full and Empty", on the Secovlje salt pans. Video projection, as a light element within the exhibition in the Caserma gallery, 2022 is part of a research project with a camera obscura: "Reconstruction of the projected image", (2018 — 2022). Light, sound-rhythm and the movement of the salt panner through the salt field are the protagonists of the short video.
On the left side, location and sources for research, on the right side Iris —Wind Rose, photography, camera obscura, drawing on projection, archival fine art giclée print, 45 x 50 cm, 2020
IRIS—WIND ROSE, photography, camera obscura, drawing on projection, archival fine art giclée print, 45 x 50 cm, 2020
The inspiration for the projection of the landscape of the salt pans through the drawing was the Wind rose, which had space on the wall in the kitchen right in every salt pan worker's house. The view over the salt pans and the abandoned seasonal residences of the salt pan workers opens up to the sea. The salt workers were able to predict the weather themselves. They constantly looked at the sky, observing the shape and colour of clouds, determining the directions and characteristics of the wind, etc. In predicting the weather, the salt workers used a "Wind rose", which indicated different types of wind and its direction. They made a small hole in the centre of the wind rose and placed a tiny seed of the plant "Erodium ciconium" called "paieta" in it. It was sensitive to humidity and turned according to the wind carrying more or less humidity. The drawing I used for the projection is a study for relief from the Time—Eye series, thinking about rotation, motion, form, matter, and light as a connection. The drawing is consistent with the geometry of the wind rose. The horizontal and vertical line and the X shape are the basis for the flower. "Iris".
The Whisper of the wide plain, photography, camera obscura, customised word-shaped aperture, archival fine art giclée print, Secovlje salt pans, Slovenia, 2020
“By taking photographs with a word-shaped aperture, I poetically emphasize that words, thoughts, and definitions affect our perception of the visible.”
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